Adobe delivers a Windows UI performance bump alongside simplified color correction and a divisive AI audio tool in its latest beta

Adobe Premier Pro Color Management.
(Image credit: Adobe)

What you need to know

  • Ahead of the International Broadcasting Convention (IBC) 2024, Adobe announced several new Premiere Pro, After Effects, and Firefly features that should save users time in their workflows. 
  • Premiere Pro gets improved color management abilities, while After Effects will support Substance 3D assets, ultra-realistic shadow casting, and faster performance with a hardware-accelerated UI.
  • Enterprise customers gain access to Firefly's Enhance Speech API (beta), which repairs dialogue, removes background noise, and can even translate dialog to different languages with believable visual lip-syncing using AI.

This year, the International Broadcasting Convention (IBC) 2024 will take place from September 13 through September 16 at the RAI Exhibition and Convention Centre in Amsterdam, Netherlands. Ahead of this event, Adobe has announced several important updates to Premiere Pro (Beta), After Effects, and Firefly Services (beta). Here's a breakdown of all of these updates.

Color management gets a whole lot easier in Premiere Pro (Beta)

The new Properties Panel makes it easier to access the most common and useful tools in Premiere Pro.  (Image credit: Adobe)
  • Adobe Premiere Pro (Beta)
    • Premiere Color Management: This system works in the background to create automatic tone-mapping of RAW and log video after dropping clips in the timeline from basically any camera. It doesn't require LUTs, either. Color accuracy is far better now when you send projects between Premiere and After Effects and back via Dynamic Link. Many effects, including Lumetri color correction, are now color-space aware. There are six high-fidelity presets to choose from:
      • Direct Rec. 709 (SDR)
      • Direct HLG (HDR)
      • Direct PQ (HDR)
      • Wide Gamut (Tone Mapped)
      • Wide Gamut (Minimal Tone Mapping)
      • Wide Gamut (No Tone Mapping)
    • Properties Panel: A new context-sensitive Properties Panel has been added, filled with the most popular and needed tools. This includes a built-in crop effect with new on-screen direct crop manipulation controls. Users can also adjust the properties of multiple clips at once. 
    • Native Format Support: Premiere Pro is using the industry standard ACEScct wide gamut color space. Users can disable all color management from custom LUT workflows, easily switch from Rec709 SDR to PQ or HLG HDR, support RAW video (RED, ARRI, Sony, Canon, ProRes RAW), and support Log format (RED, ARRI, Sony, Canon, Panasonic, Fujifilm, Nikon, Leica, DJI, GoPro).
    • Improved Performance: Users can quickly apply effects and features faster than before. Plus, the program now offers three times faster ProRes rendering to make exports a lot quicker.
    • Refreshed UI: There are now two dark modes, a light mode, and a high contrast mode. The program also has cleaner fonts for better legibility as well as visual continuity with other Creative Cloud apps.
Image

Adobe Premiere Pro | See at Adobe

There are plenty of video editors on the market, but Premiere Pro gives some of the very best tools. It can easily apply filters, help you tidy up your segments, and more. It has been used to create Emmy nominees such as The Bear, Saturday Night Live, and more.

✅Perfect for: Video content creators who want a powerful and convenient software.

❌Avoid it if: You want a simple video editor with only the basic tools. 

After Effects now works seamlessly with Substance 3D and has better performance too

You can now easily send Substance 3D assets straight into After Effects.  (Image credit: Adobe)
  • Adobe After Effects
    • Enhanced 3D Workflows: This major improvement allows users to seamlessly send Substance 3D assets into After Effects, meaning 3D workflows can blend into live-action footage and 2D motion design faster than before. Shadow Catchers even allows users to create realistic shadows on 3D elements while depth mapping encodes distance information to allow realistic camera behavior to these 3D elements with post-processing effects like depth-of-field, blur, and fog.
    • Rapid Motion Design Creation: There are now 33 new animation presets including charts, graphs, numeric counters, animated speed-lines and more. 
    • Improved performance: Changes allow for much faster playback responsiveness while three times faster ProRes rendering makes the export process much quicker. Hardware-accelerated AVC and HEVC make H.265 clips work faster and playback smoother. The program also supports more cameras, including Sony, Canon, RED, and Arri. A significant Dynamic Link update allows projects sent between After Effects and Premiere Pro to have better color. Additionally, hardware-accelerated UI/UX on Windows significantly speeds up activity by up to four times, depending on your hardware configuration.
    • Refreshed UI:  A new look to the interface brings cleaner fonts and a more modern design. Users get to choose between two dark modes, a light mode, and a high-contrast mode. Plus, the program is designed to look more similar to other Creative Cloud apps. 
    • Connection with Substance 3D: Users also get access to 20,000 fully licensed Substance 3D materials, including models and environment lights.
Image

Adobe After Effects | See at Adobe

This program is Adobe's digital motion graphics and effects software that can be used for animation and post-production. It's been used to create several movies and shows. 

✅Perfect for: Enhancing videos in post-production with effects and graphics.

❌Avoid it if: You don't need to add extra elements to your videos. 

Image

Adobe Substance 3D | See at Adobe

This 3D software provides tools to not only create but also capture and tweak 3D assets. It's been used when creating Emmy-nominated shows like Fallout, Avatar the Last Airbender, Shogun, and Star Wars Ahsoka.

✅Perfect for: Creating or altering 3D assets that can be used within Premiere Pro. 

❌Avoid it if: You don't work with 3D assets.

Easily improve audio quality and create believable translations into different languages

Adobe Firefly Enhanced Speed API (beta) quickly improves audio quality. (Image credit: Adobe)
  • Adobe Firefly Services (beta)
    • Enhanced Speech API (beta): AI now powers video and audio processes to repair poorly recorded dialogue, remove obtrusive background noise, and improve overall audio quality. This program can even run batch processing on RAW audio files to save users time. 
    • Dubbing & Lip Sync API & UI (beta): Allows for the translation of dialogue into different languages while still sounding like the original speaker. On top of that, it even creates a believable visual lip sync. 
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Adobe Creative Cloud | See at Adobe

This subscription gives you access to over 20 creative Adobe apps including Photoshop, Premiere Pro, Illustrator, Lightroom, Express, and Firefly — the generative AI image creator. 

✅Perfect for: People who tend to use a variety of different creative programs and want the most powerful options available. 

❌Avoid it if: You don't need access to this many creative apps.

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Pros for editors and cons for the dubbing industry

Translating your own voice into various languages with AI is about to become a widespread reality. (Image credit: Ben Wilson | Windows Central)

Adobe has essentially improved its video editing suits by making it easier to work with footage from different sources without color inconsistencies. Premiere Pro Beta will support a wide gamut color space for Log (found on some modern GoPro cameras) and RAW-format videos, allowing seamless integration with After Effects while maintaining HDR ranges for colors and brightness. Color management is often daunting to budding video editors, but at least the headaches of importing files with differing formats are being eased.

Critically, updating After Effects to add hardware acceleration for its UI on Windows will prevent slowdowns when working on complex projects using thousands of keyframes.

This should significantly simplify the lives of long-form video content creators and hopefully lead to the eventual appearance of a performant Arm-native After Effects build for Windows on Arm devices.

Personally, the color correction bumps take a backseat to the continued improvements to Adobe's audio suite, with its enhanced speech API carrying over the same kind of benefits found in Adobe Podcast that we've used in our own Windows Central Podcast to clean up background noise and generally improve quality.

Using Adobe generative AI for dubbing and lip sync might be divisive, as it essentially replaces the need to hire native speakers from other regions, but I'll still try it when it becomes available. For now, I'll be digging back into tutorials covering the absolute basics of color correction because it's still a daunting environment for me. Still, it's great to see Adobe making the process more streamlined; just please bring it to ARM64 without emulation!

Ben Wilson
Ben Wilson

I've been a long-term microphone enthusiast and even dabbled in freelance voiceover work before joining Windows Central. Making the most of home recording equipment made it possible for me, and Adobe still holds some of my highest praise for its podcasting tools.

Rebecca Spear
Editor and Reviewer

Self-professed gaming geek, Rebecca Spear, is one of Windows Central's editors and reviewers with a focus on gaming handhelds, PC gaming, and laptops. When she isn't checking out the latest games on Xbox Game Pass, PC, ROG Ally, or Steam Deck; she can be found digital drawing with a Wacom tablet. She's written thousands of articles with everything from editorials, reviews, previews, features, previews, and hardware reviews over the last few years. If you need information about anything gaming-related, her articles can help you out. She also loves testing game accessories and any new tech on the market. You can follow her @rrspear on X (formerly Twitter).